http://www.theunitedartists.com THE UNITED ARTISTS Fri, 17 Feb 2012 06:24:38 +0000 http://www.theunitedartists.com en http://theunitedartists.com/2735353 http://theunitedartists.com/following/theunitedartists.com/2735353 Fri, 17 Feb 2012 06:24:38 +0000 THE UNITED ARTISTS 2735353 .header_img, .project_footer, .nav_container, .project_thumb, .project_feed_thumb, .project_bottom, .pagination { display: none; }<img src="http://payload21.cargocollective.com/1/5/160457/2735353/Header3.png" width="480" height="146" width_o="480" height_o="146" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/Header3_o.png" data-mid="14352535" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/160457/2189923/LOGO_noirCorrcropNoletters_o.png" width="255" height="130" /> ∞43 TRICKS Jay Gilligan & Wes Peden (USA) UNTITLED # Jérôme Thomas (FRANCE) DUO(s) Jérôme Thomas & Jean François Baëz (FRANCE) FACES 臉 Valentin Lechat 陳星樂 (FRANCE-TAIWAN) 火舞 Fire Performance 火付盗賊 FIRE BANDIT (JAPAN) <img src="http://payload21.cargocollective.com/1/5/160457/2735353/Untitled-2.png" width="386" height="34" width_o="386" height_o="34" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/Untitled-2_o.png" data-mid="14352612" border="0" align="left"/> ∆ Taiwan contact : Valentin Lechat +886 (0)921 016 914 ∆ HK - China contact : Deco Lau+852 (0)6888 9055 email : contact@theunitedartists.com 43 TRICKS Jay Gilligan & Wes Peden Website DOWNLOAD hi-resolution photos Jay has weird elbows that can bend the wrong way, and Wes can't spell very well so they juggle and eat Japanese food together. One of them has a routine where they do violently intricate 5 ball juggling while their feet twist around like squirrels in bumper cars. The other has a trick which ends with a used paintbrush in his mouth and a song stuck in his head. They have an act together and in it they do things that you can't find on the internet! A playground full of shapes fills the stage ready to pop into action. Stomping down makes balls fly up, pulling up sends clubs sideways, and sideways spins keep rings from falling down. 43 Tricks interlace arms and objects into unexpected juggling contraptions. ∆ Jay Gilligan (USA) has collaborated with Cirque du Soleil, Les Sept Doigts de la Main, Cirkus Cirkör, Cie Jérôme Thomas, and the Gandini Juggling Project. His past 25 years have included performances in 26 different countries. Jay is the head teacher of juggling at the Dans och Cirkushögskolan in Stockholm, Sweden. ∆ Wes Peden (USA) won a Bronze Medal at the 33rd Festival Mondial du Cirque de Demain. He has performed in 17 different countries, including shows for the King and Queen of Sweden on three separate occasions. Wes graduated from the Dans och Cirkushögskolan with a degree in juggling and lives in Stockholm, Sweden. To top of the page UNTITLED # Jérôme Thomas Website <img src="http://payload21.cargocollective.com/1/5/160457/2735353/Untitledweb5.jpg" width="641" height="500" width_o="641" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/Untitledweb5_o.jpg" data-mid="17003447" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/Untitledweb1.jpg" width="334" height="500" width_o="334" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/Untitledweb1_o.jpg" data-mid="17003245" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/Untitledweb2_905.jpg" width="749" height="500" width_o="749" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/Untitledweb2_o.jpg" data-mid="17003246" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/Untitledweb4_905.jpg" width="749" height="500" width_o="749" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/Untitledweb4_o.jpg" data-mid="17003384" border="0" align="left"/> For the festival A Corte ( Teatro Piemonte Europa) Jérome Thomas has created a short performance in relation to Olafur Eliasson piece «The sun has no money» in the Contemporary Museum of Château de Rivoli. DUO(s) Jérôme Thomas & Jean François Baëz Website Jérôme Thomas Website Jean François Baëz photos © Christophe Raynaud de Lage <img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo01.jpg" width="500" height="390" width_o="500" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo01_o.jpg" data-mid="13868027" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo03.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo03_o.jpg" data-mid="13868028" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo02.jpg" width="500" height="390" width_o="500" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo02_o.jpg" data-mid="13868030" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo09.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo09_o.jpg" data-mid="13868032" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo05.jpg" width="500" height="390" width_o="500" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo05_o.jpg" data-mid="13868033" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo06.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo06_o.jpg" data-mid="13868034" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo04.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo04_o.jpg" data-mid="13868035" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo08.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo08_o.jpg" data-mid="13868037" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo07.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo07_o.jpg" data-mid="13868038" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo11.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo11_o.jpg" data-mid="13868039" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo10.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo10_o.jpg" data-mid="13868040" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo12.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo12_o.jpg" data-mid="13868043" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo13.jpg" width="500" height="390" width_o="500" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo13_o.jpg" data-mid="13868044" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo14.jpg" width="380" height="390" width_o="380" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo14_o.jpg" data-mid="13868045" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo15.jpg" width="500" height="390" width_o="500" height_o="390" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/duo_photo15_o.jpg" data-mid="13868047" border="0" align="left"/> Two virtuosos, one with balls and clubs, the other with his accordion, give us a one hour time show full of freedom, humour and poetry. In this show there is a complete complicity between music and juggling art, sound and gesture. This relation has always been one key in the work of the company. ∆ Jérôme Thomas (FRANCE) is a master juggler and juggling choreographer. After training and early work as a juggler in the circus with Annie Fratellini, and in cabaret, Jerome turned to jazz, liaising with several musicians including Bernard Lubat, Carlo Rizzo, Marc Perronne, Pascal Lloret, Alfred Spirli, Jacques Higelin, the ARFI, the Bravo Trio and Andy Aimler. These encounters led him to favour improvisational work. After creating Artrio (1988) with Jean-Paul Autin and Carlo Rizzo, he devised Extraballe (1990) a solo piece, with choreographer Hervé Diasnas, and then Kulbuto (1991), a group composition. In 1993, he set up the ARMO (Association for Research in the Manipulation of Objects)/Jérôme Thomas Company. Within this framework, he has produced several shows: Quipos, a rope world and Hic Hoc, a dream world (1995) ; Amani Ya Bwana, with Jambo Mambo, a group of Kenyan acrobats (1996); Le Banquet with GR 12, a research group which grew out of the Company, (1997) ; « 4 » To Finish with this for Once and For All… in December 98 ; IxBE, based on Extraballe, with Simon Anxolabéhère plus a short piece devised for a young juggler from the Moscow Circus School, which opened in January 2000 at the ARC, Scène Nationale du Creusot, where the Company was based. “CIRQUE LILI » performed inside a fixed circus tent structure, marked Jérôme Thomas’s return to the circus after a long absence. It premiered at the Carré Magique in Lannion, in May 2001. “Milkday” has be created in Theatre 71 in Malakoff in October 2003. Pong with the swiss mime Markus Schmid has been presented in Sujet à vif” ( Festival d’Aignon/SACD 2004) Rain/Bow, arc après la pluie a juggling ballet in two pieces for 10 dancers-jugglers issued in February 2006 An other group of shows including his duet with Jean François Baëz and the trio “Juggling Hands”are based on improvisation, music and juggling. All these productions have been touring in France and largely abroad ( Europe, Asia, Africa, South and central America), often with the support of AFAA -Cultures France and Institut Français. In 2008, Jérôme Thomas produced with the Company Libellule et Papillons !! show for eight artists including a solo choreographed by Pedro Pauwels,Papillons ! street version, Sortilèges a children show and Deux Hommes Jonglaient dans Leur Tête, with the musician and composer Roland Auzet. His last show “ICI.” ( Here.), created with Markus Schmid and Pierre Bastien, fantastic inventor of musical machines, was issued in October 2010 . With help from a number of artists and support from the Théâtre 71 in Malakoff, Jérôme set up the first Festival for Contemporary & Improvised Juggling in 1996. The fourth edition of this event, took place in June 2001. In parallel with his work devising shows, and after a year’s teaching at the École Supérieure des Arts du Cirque in Châlons-sur-Marne (89-90), Jérôme Thomas initiated a series of workshops to instruct others in his particular method and approach to juggling. He has also worked for several years with the Moscow Circus School and is now for three years artistic consultant for Académie Fratellini. In October/November 2001, he was Artistic Director for the event called « Arts de la Jongle » (“Juggling Arts) which took place at the Parc de la Villette in Paris. Jérôme Thomas was an Honorary Committee member for the Year of the Circus. He received the SACD Award for Circus in 2003. ARMO Compagnie Jérôme Thomas is subsidised by the DRAC Bourgogne – French Ministry for the Arts and the Regional Council of Burgundy. To top of the page FACES 臉 Valentin Lechat 陳星樂 Website <img src="http://payload21.cargocollective.com/1/5/160457/2735353/1.jpg" width="670" height="502" width_o="670" height_o="502" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/1_o.jpg" data-mid="13871232" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/IMGP4876web500.jpg" width="335" height="500" width_o="335" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/IMGP4876web500_o.jpg" data-mid="13871079" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/V-1 copy2.jpg" width="332" height="500" width_o="332" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/V-1 copy2_o.jpg" data-mid="17003495" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/MonkeyAcc-web_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/MonkeyAcc-web_o.jpg" data-mid="17003499" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/SGmirror-web_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/SGmirror-web_o.jpg" data-mid="17003500" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/IMG_6356-3s.jpg" width="333" height="500" width_o="333" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/IMG_6356-3s_o.jpg" data-mid="17003502" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2.jpg" width="670" height="502" width_o="670" height_o="502" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2_o.jpg" data-mid="13871233" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/Sang-mask-web500_905.jpg" width="753" height="500" width_o="753" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/Sang-mask-web500_o.jpg" data-mid="17003546" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/3.jpg" width="670" height="502" width_o="670" height_o="502" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/3_o.jpg" data-mid="13871234" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/triangleCARRE-cercle-6b.jpg" width="383" height="500" width_o="383" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/triangleCARRE-cercle-6b_o.jpg" data-mid="13871080" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/radio-clubs-web_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/radio-clubs-web_o.jpg" data-mid="17003501" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/4.jpg" width="670" height="502" width_o="670" height_o="502" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/4_o.jpg" data-mid="13871236" border="0" align="left"/> FACES臉30 Perfomance(s) solo Danced & theatrical juggling acts. FACES 臉 - juggling curiosity - the performer draws facets of a human being and their invented spirits. Different acts combined in a row during a mutation : Different feelings, different gears, different personalities, different stories, different sounds, different shared connections with audience.. ∆ Valentin Lechat (FRANCE) works and lives in Taiwan. Juggler, Contemporary artist, stage director, interpreter, musician. Since 1992, Valentin has performed in 12 differents countries in theatre, under circus tent, cabaret, TV, street, event, ... Trained in Circus (AEC, LIDO), in contemporary dance and theatre (CDC Toulouse, Hérvé Diasnas, Marc Verd**). Apprentice artist juggler with Jérôme Thomas from 1999 to 2002, he participated in the creation of CIRQUE LILI. He founded in 2005 THE UNITED ARTISTS before to leave France for a living in Asia. In 2006, in Japan, he has met and has been inspirated the work of Hoichi Okamoto, singular puppetier. Recently i has participated to “四重奏"-“Quartett von Heiner Müller" directored by Baboo from 莎士比亞的妹妹們的劇團 as voice acteur. He taught contemporary juggling at the Chinese Opera University of Taipei from 2009 to 2011. He researches and practices daily and becomes involved in Qi Gong. To top of the page 火舞 Fire Performance 火付盗賊 FIRE BANDIT Website <img src="http://payload21.cargocollective.com/1/5/160457/2735353/firebandit006_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/firebandit006_o.jpg" data-mid="13869689" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2009_1011_172632AB_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2009_1011_172632AB_o.jpg" data-mid="13869673" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2007_0819_215832_905.JPG" width="745" height="500" width_o="745" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2007_0819_215832_o.JPG" data-mid="13869681" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1015_190306AA.jpg" width="333" height="500" width_o="333" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1015_190306AA_o.jpg" data-mid="13869682" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2010_1016_185100_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2010_1016_185100_o.jpg" data-mid="13869687" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/firebandit002_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/firebandit002_o.jpg" data-mid="13869683" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1016_175555AA.JPG" width="333" height="500" width_o="333" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1016_175555AA_o.JPG" data-mid="13869688" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2008_0525_021126AA_905.JPG" width="747" height="500" width_o="747" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2008_0525_021126AA_o.JPG" data-mid="13869690" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2011_0529_031550AA_905.JPG" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2011_0529_031550AA_o.JPG" data-mid="13869692" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1015_190306AZ_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1015_190306AZ_o.jpg" data-mid="13869694" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1224_185226AA_905.JPG" width="753" height="500" width_o="753" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1224_185226AA_o.JPG" data-mid="13869695" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1016_181236AA_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1016_181236AA_o.jpg" data-mid="13869696" border="0" align="left"/><img src="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1015_193016AA_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/2011_1015_193016AA_o.jpg" data-mid="13869698" border="0" align="left"/> The performance of the Fire Bandit is absolutely stunning with its overwhelming flame of fire, the dancing trace of the fire in the darkness, or by creating magical atmosphere in the open air. Its style is certainly the one of a kind. It is breathtaking and takes away one's heart without knowing just like a thief does. There's always something new expression in its performances because of welcoming performers from different fields such as dancers, actors, jugglers and so on. ∆ 火付盗賊 FIRE BANDIT (JAPAN) was originally formed as a fire performance group in the summer of 2003 by the backpackers who are strongly fascinated by the beauty and the power of fire performance and they acquired the skills by themselves and they performed worldwide. Nori, the leader of the Fire Bandit, was also a backpacker at the time and had a vision of putting down roots of the culture of fire performance on the land of Japan and some people who sympathized with his vision have gathered and the history has begun. The Fire Bandit is one of the most successful fire performers in Japan. The performances take place as a headliner at festivals and at rave parties, at the parties of companies from small to big, at private parties, TV programs, TV commercials, promotion videos of the Japanese famous artists, at over seas an so on. <img src="http://payload21.cargocollective.com/1/5/160457/2735353/logoFIREBANDIT copy.png" width="300" height="200" width_o="300" height_o="200" src_o="http://payload21.cargocollective.com/1/5/160457/2735353/logoFIREBANDIT copy_o.png" data-mid="14147142" border="0" align="left"/> To top of the page http://theunitedartists.com/FACES http://theunitedartists.com/following/theunitedartists.com/FACES Tue, 27 Dec 2011 07:11:29 +0000 THE UNITED ARTISTS 2189988 body { background-image:url(http://payload.cargocollective.com/1/5/160457/2189988/1331614204-30op_o.png); background-repeat:no-repeat; background-attachment:fixed; background-position:180px 10px; } INTRO - IMAGES - VIDEOS <img src="http://payload.cargocollective.com/1/5/160457/2189988/Sang-mask-web_905.jpg" width="905" height="601" width_o="1785" height_o="1186" src_o="http://payload.cargocollective.com/1/5/160457/2189988/Sang-mask-web_o.jpg" data-mid="15209837" border="0" align="left"/> Perfomance(s) solo Danced & theatrical juggling acts. FACES 臉 - "juggling curiosity" - - Expressionnist acts during a mutation - The performer draws facets of a human being and his invented spirits. FACES臉 expresses different visions of life through a one man metamorphosis. ∆ Dynamic feelings, dynamic gears, dynamic personalities, dynamic stories, dynamic sounds, dynamic connections with audience 臉 takes some of its inspiration from inside cinema, artists's works, different cultures, communicating a certain vision of Humankind. FACES has been created in Asia. Dance, physical acting, object theatre, visual art, live music and juggling are combined on stage. Through this medium the performer embodies a wild animal.., the air..., underground childhood..., the unborn or already dead.., waking from a dream..., things.... - "Everything as a simple man, as an escapee or a reality maker .... finally like a woman with a monkey on her back !?" Duration : 30min Each part can be a single act (minimum version 3min) Director & performer : Valentin Lechat For booking inquiries & infos : contact@theunitedartists.com IMAGES <img src="http://payload.cargocollective.com/1/5/160457/2189988/IMG_6356-3s.jpg" width="333" height="500" width_o="333" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/IMG_6356-3s_o.jpg" data-mid="15209600" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/1.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/5/160457/2189988/1_o.jpg" data-mid="10944694" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/V-1 copy2.jpg" width="332" height="500" width_o="332" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/V-1 copy2_o.jpg" data-mid="15209602" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/2.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/5/160457/2189988/2_o.jpg" data-mid="10944695" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/IMG_6341.jpg" width="333" height="500" width_o="333" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/IMG_6341_o.jpg" data-mid="15209603" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/4.jpg" width="670" height="502" width_o="1024" height_o="768" src_o="http://payload.cargocollective.com/1/5/160457/2189988/4_o.jpg" data-mid="10944697" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/IMGP4876web500.jpg" width="335" height="500" width_o="335" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/IMGP4876web500_o.jpg" data-mid="12192635" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/IMG_6334.jpg" width="333" height="500" width_o="333" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/IMG_6334_o.jpg" data-mid="15209605" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/7bounces-dislok-web_905.jpg" width="705" height="500" width_o="705" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/7bounces-dislok-web_o.jpg" data-mid="15210046" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/radio-clubs-web_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/radio-clubs-web_o.jpg" data-mid="15209834" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/MonkeyAcc-web_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/MonkeyAcc-web_o.jpg" data-mid="15209836" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/Sang-mask-web_905.jpg" width="905" height="601" width_o="1785" height_o="1186" src_o="http://payload.cargocollective.com/1/5/160457/2189988/Sang-mask-web_o.jpg" data-mid="15209837" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189988/SGmirror-web_905.jpg" width="750" height="500" width_o="750" height_o="500" src_o="http://payload.cargocollective.com/1/5/160457/2189988/SGmirror-web_o.jpg" data-mid="15209838" border="0" align="left"/> 4 VIDEOS 1 FACES臉30 2 FACES 臉 @ FRANCE #2010 (Gunk - too much - ghost) 3 SHADE GROWN (single piece) 4 IMPACT LOVE (single piece) To top of the page http://theunitedartists.com/THE-UNITED-ARTISTS http://theunitedartists.com/following/theunitedartists.com/THE-UNITED-ARTISTS Tue, 27 Dec 2011 07:11:24 +0000 THE UNITED ARTISTS 2189923 <img src="http://payload.cargocollective.com/1/5/160457/2189923/LOGO_noirCorrcrop300dpi200px.png" width="200" height="103" width_o="200" height_o="103" src_o="http://payload.cargocollective.com/1/5/160457/2189923/LOGO_noirCorrcrop300dpi200px_o.png" data-mid="12474880" border="0" align="left"/> STATEMENT ENGLISH - FRANÇAIS - 中文 EN A space where wild beings, nomads, poets, human feelings, and impalpable forces live together by exchanging experiences, deep knoledges -- experiment and create. The United Artists's action is to connect with the culture in wich its meshes, the world tilted, in a mirror of identities, by a poetic dimension. The United Artists integrated artists have human size skills and rather unusual ones, personal views, functioning outside all normalized models by the sad camouflage of boredom ... as far from wanting to fire using mortars FXZZ-164 on civilians. FR Un espace où êtres sauvages, nomades, poètes, sentiments humains et forces impalpables vivent en échangeant des experiences, des savoirs profonds, experimentent et créent. L'action de The United Artists est de se connecter à la culture dans laquelle elle s'insère, basculer un monde, dans un miroir aux identités, par une dimension poétique. Les artistes intégrés à The United Artists ont un savoir-faire de dimension humaine et singulière, fonctionnant hors des modèles normés des tristes camouflages de l'ennui comme loin de vouloir tirer des shoots au mortier FXZZ-164 sur des civils. CH 野性、游牧精神、詩意、人性、未知的力量交生於此，透過交換彼此的經驗與深刻的識知、透過實驗與創造。The United Artists的所有行動皆在連結其所依附的文化，撼動世界，在名為自我的鏡影中，在詩的維度裡。所以集合在The United Artists的藝術家並沒有天外飛來的技藝，他們的知識皆基於人性與人道，並具有其個人哲思，遠不同那些百般聊賴、憂傷偽裝的世俗標準……就像他們遠不會興起用FXZZ-164大砲擊殺市民的念頭。 <img src="http://payload.cargocollective.com/1/5/160457/2189923/LOGO_noirCorrcropNoletters_905.png" width="905" height="464" width_o="1024" height_o="526" src_o="http://payload.cargocollective.com/1/5/160457/2189923/LOGO_noirCorrcropNoletters_o.png" data-mid="12474881" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/160457/2189923/LOGO_noirCorrcropNoletters_o.png" width="255" height="130" /> To top of the page http://theunitedartists.com/Women-Monkeys http://theunitedartists.com/following/theunitedartists.com/Women-Monkeys Tue, 27 Dec 2011 07:11:19 +0000 THE UNITED ARTISTS 2190304 INTRO - IMAGES - TRAILER W&M #2 - SOUNDTRACK - EXTRACT OF THE BOOK <img src="http://payload.cargocollective.com/1/5/160457/2190304/1323789665.jpg" width="600" height="800" width_o="600" height_o="800" src_o="http://payload.cargocollective.com/1/5/160457/2190304/1323789665_o.jpg" data-mid="12355688" border="0" align="left"/> EXPERIMENTAL PERFORMANCE PROJECT people / object / dance / theater / music / cooking / video / juggling project since 2007 Adaptable and mobile . Metamorphosis. from the Novel "WOMEN & MONKEYS". TALKS ABOUT My body is a people which is fed by land and clay. I am at the same moment both woman and monkey. We are invisible, we are nothing, we are empty, we are living in a parade of passions. We are living in a double universe, in a double reality. We are living under different facets, carapaces. In our world, things can turn side (side=crazy) suddenly. About what we are watching, nothing is stable. In fact, we cannot focus on one side of the reality forever. Our identity, images of appearances are moving infinitely, all thetime, always. That is for this reason I play metamorphosis. I play metamorphosis by using invented people(both real people and objects people), then, I show themselves to themselves and toourself by their changing identities. The multitude of human aspects make the feeling appearsduring the succession of metamorphosis of them. The empty space between the attempts of the metamorphosis shows and draws the human being, in a simple way. The dance , the theater, the juggling, the puppets, the masks, theartwork, the sound-work, the cooking, the poetry, the connectivity with the environment, all live elements, the open stage for another artists are all the medians which can transmit special feelings to the audience. This way of transmission has to be simple, it don't need to use too much artifacts to express, people just have to follow the play, just let feel what is happening on stage as people can feel a painting board (painting is a vision in a opened window). I want a show with an access for anybody, any audience, like the ones have never seen any events that sort before. I love to be near people on my way. Educated by art or wild in art, the both together around Women & Monkeys. <img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP1_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP1_o.jpg" data-mid="12905729" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP2_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP2_o.jpg" data-mid="12905734" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP3_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP3_o.jpg" data-mid="12905731" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP4_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP4_o.jpg" data-mid="12905739" border="0" align="left"/>(image 18}<img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP7_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP7_o.jpg" data-mid="12905740" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP8_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP8_o.jpg" data-mid="12905735" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP9_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP9_o.jpg" data-mid="12905737" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP10_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP10_o.jpg" data-mid="12905732" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP11_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP11_o.jpg" data-mid="12905733" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP12_905.jpg" width="905" height="1600" width_o="905" height_o="1600" src_o="http://payload.cargocollective.com/1/5/160457/2190304/BASE-w-m-web-PIxdIAP12_o.jpg" data-mid="12905738" border="0" align="left"/> W&M #2 2008/05/20 at OUI "MIchel de Certeau" contemporary art exhibition center duration 80 mins DJ & Cooker : Raphaël Charpentié. Performers : I-An Chen, Valentin Lechat. Musicians : Jérémy Teruel, Cyril Moulas, Luc Détraz, Stéphane Césard, Lucas Spirli, Olivier Cosme. Video & texts : I-An Chen, Valentin Lechat, Guest. Costumes : Delphine Robin, Guillaume Brissaud, Valentin Lechat. Lights : Gaël Boffard. LISTEN TO EXTRACT OF WOMEN & MONKEYS the Novel L'avion est placé dans ma main. Je rentre dans le mental d'un pilote de ligne, l'enveloppe de mon corps appartient maintenant aux cieux. Je suis un singe tressé qui plane bien au delà de la toile habituelle. Tout est silence. Mon destin en avant soufflé derrière les vitres du hall, j'ai quitté mes attaches. En quelques heures, j'ai laissé en perdition les ravages des folles envolées d'ennuie fou ou l'on a brisé la banquise à mains nues ; malgré les coups elle gèle de surface en soumettant à nos pieds une terre blanche et absorbante, dans la déflagration symphoniquale des sièges éjectables rendus poudres, elle provoque des congères pendant la retombé, venant briser la peau veineuse de nos ancres. Mon esprit en est allé se cacher, à temps, derrière le calendrier de la cuisine. Partant, de cette indissociable civilité abdiquée, j'ai remis un baiser infini à l'amour, dans un chariot, sur un trajet qui devient vision de la nuit. Le passé stagne dans un effet de serre colorisée, il promet les lierres dans la raison du temps. J'aurais voulu naître dans une cascade d'eau laiteuse rose bonbon. Pataugeant dans de la crème mousseuse, faisant des loopings avec des serpents de courant me hissant dans le bonheur du matin fraîcheur. Là, je me serais réveillé dans une trombe d'eau luisante et florale qui m'aurais fait sourire, beaucoup sourire, rire aux éclats de belettes. L'eau coule, creé des flaques autour de mes pieds, elle forme un canal vers les traversées imaginaires des corps de singes volants sur la rue verticale aux couleurs rose comme la mise au monde. (...) FR-CH 婦女等LES singes L'亞飛 EST地方DANS馬主。 JE rentre DANS LE精神，聯合國PILOTE ligne，enveloppe DE星期一兵團 appartient maintenantAUX cieux。 JE豬聯合國燎tressé歸仁平面邊 AU DELA DE LA棉質印花布habituelle。 TOUT EST沉默。週一德斯坦EN前衛酥derrière LES vitres杜大廳，j'ai quitté MES重視。 ENquelques heures，j'ai laissé EN滅亡 LES蹂躪 DES follesenvolées D' ennuie傅聰 OU L'上brisé LA banquise一個電源 nues;malgré LES政變 ELLE格勒的表面EN soumettant單 NOS piedsUNE漁村布蘭奇等absorbante，DANS爆燃symphoniqualeDES圍困éjectables rendus poudres，ELLE provoque congères挂件LA retombé，文南briser LA peau veineuse DE NOSancres。週一 ESPRIT EST ALLE SE cacher的，單臨時工，derrière樂 calendrier DE LA美食。 Partant，cette不可分割civilité abdiquée，j'ai remis聯合國 baiser infinià傾慕，DANS聯合國戰車，河畔聯合國 trajet歸仁 devient視力 DE LA春意盎然。樂已經過時 stagne DANS聯合國 effet的塞爾 colorisée，ILPROMET LES lierres DANS LA存在杜臨時工。 J'aurais voulunaître DANS UNE級聯，淡laiteuse上升邦邦。 Pataugeant DANSDE LA奶油mousseuse，faisant DES的環圈AVEC DES蛇的柯朗我hissant DANS LE bonheur杜晨報 fraîcheur。LA，JE我serais起床號 DANS UNEtrombe，淡luisante等florale歸仁 m'aurais既成事實sourire，beaucoup sourire，rire AUXéclats DEbelettes。濠coule，克里DES flaques autour MES pieds，印版ELLE聯合國運河 VERS LES traversées imaginaires DES兵團的singes volants河畔LA RUE verticale AUX couleurs上漲COMME實施非盟世界。<img src="http://payload.cargocollective.com/1/5/160457/2190304/colopaoprteWMjeremyBruise_905.jpg" width="905" height="606" width_o="905" height_o="606" src_o="http://payload.cargocollective.com/1/5/160457/2190304/colopaoprteWMjeremyBruise_o.jpg" data-mid="12905940" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/colopaoprteWMjeremyBruise_905.jpg" width="905" height="606" width_o="905" height_o="606" src_o="http://payload.cargocollective.com/1/5/160457/2190304/colopaoprteWMjeremyBruise_o.jpg" data-mid="12905940" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2190304/colopaoprteWMjeremyBruise_905.jpg" width="905" height="606" width_o="905" height_o="606" src_o="http://payload.cargocollective.com/1/5/160457/2190304/colopaoprteWMjeremyBruise_o.jpg" data-mid="12905940" border="0" align="left"/> To top of the page http://theunitedartists.com/OLO http://theunitedartists.com/following/theunitedartists.com/OLO Sun, 23 Oct 2011 05:09:11 +0000 THE UNITED ARTISTS 2189873 OLO - 當代雜技與佛朗明哥 Asian Flamenco X juggling Art <img src="http://payload.cargocollective.com/1/5/160457/2189873/1323790332.jpg" width="600" height="705" width_o="600" height_o="705" src_o="http://payload.cargocollective.com/1/5/160457/2189873/1323790332_o.jpg" data-mid="12355876" border="0" align="left"/> 小白球彈跳在佛朗明哥的節奏裡，訴說關於自由的故事； 荷葉裙花京都紙傘猴子面具火焰般的扇；這一切有可能嗎？ 錯置的空間與哲學，會不會才是內心深處最真實的表現？ 告訴我，吉普賽姑娘，妳要流浪到哪裡去？ 50min show Theater indoor or outdoorDirector: Valentin Lechat Performers : 陳意安 & Valentin Lechat Stage design : Valentin Lechat Soundtrack : Vinyls, CD, Live Accordion VIDEOS - IMAGES 國立臺灣大學藝文中心 NTU Center for the Arts 2011-10-12 Excerpts <img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 1.jpg" width="670" height="670" width_o="959" height_o="960" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 1_o.jpg" data-mid="10944479" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 2.jpg" width="670" height="494" width_o="800" height_o="590" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 2_o.jpg" data-mid="10944480" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 3.jpg" width="670" height="444" width_o="960" height_o="637" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 3_o.jpg" data-mid="10944482" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 4.jpg" width="670" height="670" width_o="926" height_o="927" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 4_o.jpg" data-mid="10944483" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 5.jpg" width="670" height="670" width_o="924" height_o="925" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 5_o.jpg" data-mid="10944484" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 6.jpg" width="637" height="960" width_o="637" height_o="960" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 6_o.jpg" data-mid="10944485" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 7.jpg" width="608" height="800" width_o="608" height_o="800" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 7_o.jpg" data-mid="10944486" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 8.jpg" width="670" height="444" width_o="960" height_o="637" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 8_o.jpg" data-mid="10944487" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 9.jpg" width="637" height="960" width_o="637" height_o="960" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 9_o.jpg" data-mid="10944488" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 10.jpg" width="670" height="444" width_o="960" height_o="637" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 10_o.jpg" data-mid="10944489" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 11.jpg" width="670" height="444" width_o="960" height_o="637" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 11_o.jpg" data-mid="10944490" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 12.jpg" width="670" height="671" width_o="958" height_o="960" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 12_o.jpg" data-mid="10944491" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 13.jpg" width="637" height="960" width_o="637" height_o="960" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 13_o.jpg" data-mid="10944493" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 14.jpg" width="670" height="668" width_o="960" height_o="958" src_o="http://payload.cargocollective.com/1/5/160457/2189873/OLO Tasoyuan Hsu - 14_o.jpg" data-mid="10944494" border="0" align="left"/> Photos © Tasoyuan Hsu